Ten Lands

by Mélanie Courtinat and Yatoni Roy Cantu
2020

Ten Lands is an interactive experience that oscillates between a music videoclip and a video game, where each level visually illustrates one of the ten ambient music tracks from Yatoni's album. Within this work, the artist seeks to draw a new diagonal that connects these two disciplines. By adopting the interactive format of one and the unique challenges of the other, Ten Lands blossoms into to a hybrid format.

In-situ experience
Screen, Computer, Video projector
Suitable for all audiences
from 10 to 20 minute(s)
Without dialogue
Update : 06/05/2024
Ten Lands - opening screen
Ten Lands - trailer
From the exhibition "Hyperscapes" at the Kornhausforum in Bern
Ten Lands
Ten Lands
Ten Lands
Ten Lands
Ten Lands
Album Ten Lands
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Ten Lands opens, in an underlying way, a double reflexion that crosses both the video game industry and the music industry. This reflexion took place in times where the idea of sound resonated with difficulty in public places, at a time where gatherings were forbidden. It raises the question of new places and new ways of listening to music, far from clubs and concerts.

With Ten Lands, the artist seeks to draw a new diagonal that links the two disciplines of video games and videoclips. By recovering the interactive format of one and the stakes of the other, Ten Lands is a hybrid format in which each sound composition unfolds in relation to a specific virtual place. Landscapes and sounds happen simultaneously. One resonates with the other.

From then on, Ten Lands raises the issue of spatiality when listening to an album. Here the logics of unfolding the musical titles differ from those already in place, especially on streaming platforms such as Spotify or Soundcloud. Indeed, where one click is enough to start the next track, Ten Lands requires a journey.

By including the notion of space, distance and thus chronology, Ten Lands initiates a new logic of filiation when listening to a music album; close to the one, in particular, that animates the vinyl record. In fact, in the same way that the vinyl record requires listening to music one after the other, this new format requires that steps be taken in order to unroll the musical thread, unlike platforms that follow a logic of "deferred" listening, and the possibility of a disorderly discover. Here, this format pushes and gives you the opportunity to go through, literally, Yatoni's album.

Moreover and from another perspective, the artist also made the choice not to always do so. There is one unique entity to browse the ten worlds of Ten Lands. The avatar imagined by the artist is characterized above all by its anonymity. His thick opaque metal armor hides his face but also his gender. Mute, neither his voice nor his gait betray his identity. It is therefore impossible to know his features or the color of his skin. The protagonist of Ten Lands is an avatar who wants to be inclusive, so that anyone can take it over.

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In-situ experience
Experience
Terms
Solo
Interactivity
Interactive
Audience
Categories
Suitable for all audiences
Accessibility
Suitable for visitors with developmental and learning disabilities, Suitable for people with reduced mobility
Prices
Pricing
Fixed price, Guaranteed minimum + revenue sharing
Languages
Original language
Without dialogue
Dubbing
Subtitles
Team
Interpreter
no
Public outreach
no
Technician
no
Material
Equipment
Screen ; Computer (Mac, Windows) ; Video projector
Minimum space required
A partir de 3 m 2
Internet connection
Not required to broadcast the artwork
A workshop may accompagny this artwork.
Awards
Programming
It’s dangerous to go alone! Galerie Edouard Manet, Gennevilliers (France), 2023
Hyperscapes Kornhausforum, Bern (Switzerland), 2022
Festival Current New Medias Santa Fé (Mexico), 2021
Recto VRso Laval Virtual (France), 2021
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Direction
M C
Artist
Mélanie Courtinat
Y R
Composition and sound design
Yatoni Roy Cantu
 
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