On the screens of Triptyque [Z], artificial nature is proliferating, explosive, unpredictable. The human voice has deserted the sound composition, a disturbing muffled atmosphere creates tension in the hearing, and a tilt of the camera invents new balances. In an implacable geometry, the light undulates and creates breathtaking changes.
Triptyque [Z]
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Triptyque [Z] comes after the changeover. The blue lining and the transformation of the bodies into (calligraphic) signs marked the switch. Transition from day to night, from real to virtual. It is not the people who go towards the landscape, it is the landscape which comes towards them, towards us, which breathes in and breathes out, devours and does not annihilate. For years, n + n corsino’s work has anticipated a reflection on human-environment relationships. By working on the mutation and porosities of representations (and their spaces), all the philosophies of origins (and of naturalities) fade away by themselves, leaving room for the exploration of new fields of relationships.
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