We invent forms that change the way we look at things, the way we receive a show and the way we become spectators. We use a "dramaturgy of address".

Our devices and performances are developed as different interfaces with an audience: visual and/or participatory installations, theatre without actors, audience scenography, staging ourselves...

Our research into the "audience" can become an obsession, as in Lumen Texte, to the point where there are no performers. The audience is left alone to face the words (the text of the piece) that address them and question their relationship to the virtual space.

This notion of "assembly" feeds into the very principle of the TTension conference, which playfully presents the mechanisms of dramatic tension and audience attention: what can happen to an audience member? how did they get there? what are their limits? Is fascination a tool or a working material in itself?

Formally, we develop performances, installations in galleries and laboratories, protocols for games and discussions, sound creations and contextual works in non-dedicated spaces.

Our research is nourished by protocols that invite confrontation, entanglement and hybridisation.

We like to interrogate the making of images: appearance and disappearance are recurring notions.