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De glace et d'eau is an augmented sonic fiction in which a man lets us hear the sounds of a vanished glacier that he has recorded and archived throughout his life. Like an ethnologist, he has gathered the sounds of this geological entity before its inevitable disappearance. He lets us hear them, describes them, and recalls the pleasure he took in collecting them. These sounds bear witness to the glacier's transformations, its movements, cracks, and slides. Confronted with the magnificence and ephemerality of the ice, the narrator recorded his thoughts during various missions and shares them with us. His account of these expeditions is full of wonder, but also reflects his anxieties and doubts about our future. Just as ancient ruins were once aesthetic objects and vehicles for meditation on the human condition, the glacier observed by the narrator is a vanity, a memento mori, a reminder of our fleeting passage on Earth. Listening to the murmurings of matter, he contemplates our finitude and shares the report of this endeavor in the form of an introspective logbook, at the crossroads of ethnology, anthropology, and ecopoetry. Composed of a variety of sounds captured in situ by the two artists, this experience has been designed to be listened to with headphones, allowing for independent exploration of the zones the narrator visited, here reproduced in the form of an interactive 3D sound architecture.