The artist creates spaces for sharing his feelings about the "forces" of the world: dreams, energies, materials, technologies. Refusing to place himself in the field of the Kantian sublime, he positions himself at the place of wonder and infantile craze, as if to claim the part of the dream that we develop as a child and which remains forever our "desiring motor" throughout our life. Resolutely focused on ecological questions, his current research leads him to question the irony behind the profitability of repairing the climate, the disappearance of the cryosphere and its impact on our lifestyles, as well as the energy cost of the exhibitions. (Nicolas Rosette, curator)

In 2016, his work Ljós is nominated to the International Digital Art Prize, Prix Cube. In 2017, he presents his first solo exhibition Inlandsis at the cultural center of Gentilly. Since the pandemic, he has defined himself as an "iceberg raiser" ; he is offering to host his installation Tipping Point at home, a glacier kept under a glass bell.

Barthélemy Antoine-Loeff lives between the ices and Paris, and is working where the world is melting.

His works are exhibited in numerous festivals and venues in France and abroad: Biennale Chroniques (Aix-en-Provence, France), Scopitone (Nantes, France), Lille Capitale du Design (Lille, France), Lieu Unique (Nantes, France), CMODA (Beijing, China), Voltaje (Bogota, Colombia), Le Cube (Paris, France), Maif Social Club (Paris, France), Mirage Festival (Lyon, France), Gaité-Lyrique (Paris, France), Biennale Némo (Paris, France), Théâtre les Ateliers (Lyon, France), Biennale Siana (Evry, France), Festival RVBn (Bron, France), Festival Croisements (China), Mapping Festival (Genèves, Switzerland), Current New Media Festival (Santa Fe, United-States), BAM Festival (Liège, Belgium), L'arc scène nationale (Le Creusot, France), Vidéoformes (Clermont-Ferrand, France), CHB (Berlin, Germany), Mains d'Œuvres (Saint-Ouen, France)...