Nicolas Clauss

Active since : 2000
A person

Nicolas Clauss use mainly video and programming. His work never ceases to question, in a form of visual anthropology, the Human Figure by taking as a field of experimentation the filmed image and its modes of deployment in time and space.

These modes of exploration of the image are based on algorithmic writing. The video becomes a territory in movement, without beginning or end, where temporality is dilated, where the filmed image moves away from its first direction to venture towards other possibilities.

After having worked on interactivity in numerous digital pieces, he created In 2011, Terres arbitraires, an installation including about thirty screens with 300 portraits that will be extended to the theater with Illumination(s) by Ahmed Madani. In 2012 he created the piece Fez, which inaugurates the cycle of random videographies. In 2014 begins the series of portraits in movement, Endless portraits (exhibited at CENTQUATRE-Paris), taking as models unknown people but also personalities such as Philippe Katerine, Maguy Marin, or Denis Lavant. This was followed by Agora(s) (2015), Les Traversants (2017), Frames (2018) or Endless Landscapes (2020).

His work has been exhibited and awarded internationally (in France : Centre des Monuments Nationaux, Centre Pompidou Paris, Le 104 Paris, Espace Paul Ricard - Paris, Lux - Valence, Friche la belle de mai - Marseille, la Filature - Mulhouse... and abroad : Nuit Blanche Bruxelles, MAMBO - Bogotá, Museo Tamayo Mexico City, National Museum of XXI Century Arts - Maxxi, Centre Pompidou Malaga, Museo de Antioquia - Medellin, Seoul Museum of Art,  Ars Electronica Centez - Linz, Millenium Art Museum - Beijing, National Museum of Contemporary Art - Wroclaw, National Gallery of Art - Vilnius, Changjiang Museum of Contemporary Art - Chongqing - Biblioteca Arts Center - Alexandria, Art gallery of South Australia - Adelaide...)

Contact
http://www.nicolasclauss.com/
Marseille (13004), France
I speak French, English
Update : 20/01/2023
 
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