His curatorial approach addresses similar questions on a collective scale. Recent exhibitions include: This Land Is Your Land (Château de Goutelas 2022); Selphish (Mécènes du Sud Montpellier-Sète 2020 with Pau Waelder); Collection Artem (first French public art school collection in Nancy from 2015 to 2020), The Watchers (Mori Tower, Tokyo, 2019); Andrès Baron (Cité internationale des arts 2018). With J. Emil Sennewald, he co-directed the EnsadLab Displays curatorial research workshop at ENSAD, and now teaches L’Exercice du regard contemporary art workshop at Sciences Po Paris. He is a member of C-E-A, Commissaires d’Exposition Associés.
As an author, Thierry Fournier has written on numerous artists and exhibitions. He is artistic director and co-coordinator of the international journal antiAtlas Journal, which addresses the contemporary border stakes and forms. He is frequently invited as an editorial designer by art and humanities research groups (Aix-Marseille University, CNRS IREMAM, Leonardo Olats, Institut Mines-Telecom). His recent publications include Au Capa, un lieu d’art à la Maladrerie, Aubervilliers with Juliette Fontaine and La Main Invisible (Nancy, Empreintes et Digitales).
A campaigner for fairer working conditions for art workers, in 2014 Thierry Fournier co-founded and co-led the group Économie Solidaire de l’Art. He is now pursuing a similar project within the National Network of Hybrid Arts and Digital Cultures (Hacnum).
