for here am i sitting in a tin can far above the world

by Gala Hernández López, produced by Don Quichotte Films
2024
Institut français program
Escape, digital generations

A woman dreams of the American cryptographer Hal Finney. A major economic crisis affects the cryptocurrency market, tens of thousands of people are cryogenized awaiting better times. Are they suspended or falling into the void? What strange relationship do we have with the future?

In-situ experience
Screen, Video projector
Teenagers - from 12 to 18 years, Adults
from 19 to 19 minute(s)
Multiple languages
Update : 04/06/2024
for here am i sitting in a tin can far above the world
for here am i sitting in a tin can far above the world
for here am i sitting in a tin can far above the world
for here am i sitting in a tin can far above the world
for here am i sitting in a tin can far above the world
See more
See less

Find out more

« for here am i sitting in a tin can far above the world is an experimental double-screen film that addresses the links between crypto culture and cryogenics as two speculative technologies for which the future becomes an economic resource to be exploited. Through a collage of YouTube videos, archival images and 3D animations, for here am i sitting in a tin can far above the world explores the links between financial speculation, speculative science-fiction and the prediction and governance of the future.

Examining the fantasies conveyed by crypto-currencies, the narrative is carried by the enveloping text of an invisible narrator recounting her intimate dreams and fears. Accompanying us on a dreamlike, poetic, historical and futuristic audiovisual journey, she evokes the figure of the American extropian and cypherpunk Hal Finney, a crucial figure in the history of Bitcoin but also a cryogenic patient since 2014. In the narrator’s dreams, after a future Great Depression, Finney integrates a part of society that has gone into suspended animation or subsidized biostasis in order to accelerate economic recovery.The narrator engages with Finney in an imaginary conversation about faith or fear in the future, and how an optimistic bet on the future might actually endanger its potentialities through the political disengagement from present struggles.

The film also explores the sensation of temporary floating : through the figure of “suspended animation”, it evokes a historical epoch marked by a high degree of unpredictability and uncertainty, due to the acceleration and disruption of new technologies, as well as to the multiple consequences of the Anthropocene. The idea of temporary suspension is questioned through the dichotomy “suspension-free fall”: Is humanity floating in uncertainty, or are we rather in free fall ? How can we differentiate between the two, given the limits of human perception and knowledge ?

for here am i sitting in a tin can far above the world works through the non-linear temporality of dream and memory, the broken temporality of time travel narratives, such as the one in which Hal Finney embarks on his cryogenic capsule. »

Votre contact
In-situ experience
Experience
Terms
Multi-users
Duration
From 19 to 19 minute(s)
Audience
Categories
Teenagers - from 12 to 18 years, Adults
Accessibility
Suitable for people with reduced mobility
Prices
This creation is part of the exhibition Escape, Digital Generations initiated by the Institut français Find out more
Languages
Original language
English
Dubbing
Subtitles
French, English, Spanish
Team
Interpreter
no
Public outreach
yes
Technician
no
Material
Equipment
Screen ; Video projector
Internet connection
Not required to broadcast the artwork
Awards
Programming
Berlinale 2024 - Forum Expanded Berlin (Germany), 2024
See more
See less
See more
See less
Direction
G H
Direction
Gala Hernández López
G H
Screenwriting
Gala Hernández López
X K
Animation
Xinxin Kong
M A
Composition and sound design
Mathias Arrignon
Production-distribution
D
Production
Don Quichotte Films
D
Distribution
Don Quichotte Films
 
Vous pourriez aussi être intéressé...
Vous pourriez aussi être intéressé...