Stéphane Bissières is interested in the concrete representation of data and more generally in the materialization of virtuality in order to translate the brutal and profound transformations that society undergoes, but also to provoke wonder and questioning in the observer, to give him the feeling of being a witness.
He draws his inspiration from mathematical models and the observation of their expressions in nature. He transposes musical writing mechanisms to his kinetic creations by considering this writing in the form of algorithms rather than scores. He thus develops a generative approach to explore the notion of artificial life by building dynamic systems capable of generating infinite variations with a recognizable common character, such as a genetic code.
Contemporary art museum de Shenzhen (China), The Exchange Gallery (Falmouth, United Kingdom), Station Beirut (Lebanon), Nuit Blanche (Paris, France) galerie Plateforme (Paris, France), Le Cube (Issy-Les-Moulineaux, France), Biennale Némo (Le Le CENTQUATRE-PARIS, France), etc.
Festival de Cannes (France), Solidays (Paris, France), Petit Palais (Paris, France), Nouveau Casino (Paris, France), Cité des Sciences (Paris, France), Nuit Blanche (Brussels, Belgium), Moscow Arts center (Russia), Plug (Sheffield, United Kingdom), Amber (San Francisco, USA), The Grand (Oakland - USA), Modern (Vancouver, Canada), etc.
