inLAND come back in broad day

by Annabelle Playe, produced by AnA Compagnie
2019

Passages, crossings and metamorphoses weave the odyssey of InLAND | come back in broad day. These universes are explored live as a 3D video game in which we wander. This exploration is carried out on site or remotely with Discord gamer tool.

In-situ experience
Video projector, Other
Suitable for all audiences
from 38 to 42 minute(s)
Multiple languages
Update : 23/01/2023
inLAND come back in broad day
inLAND (Crédit : Quentin Chevrier)
inLAND come back in broad day (Nathanael Bonnal)
inLAND come Back In broad bay (Credit : Nathanael Bonnal)
inLAND come Back In broad bay (Credit : Quentin Chevrier)
inLAND come Back In broad bay (Credit : Quentin Chevrier)
inLAND come Back In broad bay (Credit : Quentin Chevrier)
inLAND come Back In broad bay (Credit : Quentin Chevrier)
inLAND come Back In broad bay (Credit : Quentin Chevrier)
inLAND come Back In broad bay (Credit : Quentin Chevrier)
inLAND come Back In broad bay (Credit : Quentin Chevrier)
inLAND come Back In broad bay (Credit : Quentin Chevrier)
inLAND come Back In broad bay (Credit : Quentin Chevrier)
inLAND come Back In broad bay
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Passages, crossings and metamorphoses weave the odyssey of "InLAND | come back in broad day".
These universes are explored live as a 3D video game in which we wander. This exploration is carried out on site or remotely with Discord gamer tool.
In these multiple spaces, perception is disturbed between reality, matter and appearance. Abstraction gives way to landscapes, echoes of the inner worlds that a narrator seems to unfold.
The visions crumble, the image turns out to be an illusion. We then experience what can’t be said or represented.
The artists on stage are all involved : wandering figures, half-human, corps-machines or passers-by like Charon on his boat.
In this space in mutation, distant or close, the voice gives an elusive narration, witness or creator of the mysterious genesis in progress.
The spectator will summon his or her own perceptions through the sensitive experience of this immersive performance.

with

Annabelle Playe : conception, composition, electronics, voice
Marc Siffert : composition, electronics
Hugo Arcier : audio reactive virtual universe
Estelle Bordaçarre : body training
Halory Goerger : external viewpoint
Dorota Kleszcz : costume designer
Perrine Cado : lighting designer
Samuel Herbreteau : technician

Production : AnA Compagnie
Coproduction : Biennale NEMO, Scènes Croisées de Lozère, Ville de Mende
Partners : DGCA, SACEM, ADAMI, FCM, SPEDIDAM, Région Occitanie, Conseil Général de Lozère

Votre contact
In-situ experience
Experience
Terms
Multi-users
Interactivity
Linear
Capacity
From 30 to 500 people
Duration
From 38 to 42 minute(s)
Audience
Categories
Suitable for all audiences
Prices
Pricing
Fixed price
Prices
From 2500€
Languages
Original language
Without dialogue
Dubbing
Without dialogue
Subtitles
Without dialogue
Team
Interpreter
yes
Public outreach
no
Technician
yes
Material
Equipment
Video projector ; Other
Minimum space required
de 12 m 2 à 9 m 2
Internet connection
Required to broadcast the artwork
A workshop may accompagny this artwork.
Direction
Artistic direction
Annabelle Playe
Artist
Hugo Arcier
M S
Artist
Marc Siffert
E B
Other
Estelle Bordaçarre
H G
Artist
Halory Goerger
D K
Artist
Dorota Kleszcz
P C
Lighting design
Perrine Cado
Production-distribution
A
Production
AnA Compagnie
A
Broadcasting
AnA Compagnie
 
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